Friday, July 17, 2009

THE SAINTS - All Fools day

THE SAINTS All fools day cd 1986 Mushroom 320 kbps
Just Like Fire Would / First Time / Hymn To Saint Jude / See You In Paradise / Love Or Imagination / Celtic Ballad / Empty Page / Big Hits (On The Underground) / How To Avoid Disaster / Blues On My Mind / Temple Of The Lord / All Fools Day.
Produced by Hugh Jones.
The Saints : C. Bailey : lead vocals, guitars with A. Larriza, R. Burgmann, I. Hay ...

Call this the second coming of the Saints, but the only thing this record has in common with previous Saints recordings is Chris Bailey . Still, it's a sharp, tuneful, and (ahem) mature work that shows Bailey's increasing confidence as a singer and songwriter. One listen to songs as grabbing as "Celtic Ballad" or the great "Just Like Fire Would" (which is kind of a neat pun) will convince you that despite the differences, the new Saints were a good band for completely different reasons than the old Saints. Allmusic

THE SAINTS - A Little Madness To Be Free

THE SAINTS A Little Madness To Be Free lp/cd 1984 New Rose/Mushroom 320 kbps
Down The Drain / Walk Away / Photograph / The Hour / Angels / Imagination / It's Only Time / Someone To Tell Me / Ghost Ships / Heavy Metal (New Rose lp) / Wrapped up and blue (Mushroom lp + cd).
Produced by Lucas Debris.
The Saints : Chris Bailey : vocals, guitar with C. Burnahm , P. Bayly, M. Charles, A. Hamilton, S. Schinkle, F. Morphett, E. Kiss, I. Hay, R. Daniell & J. Hall.

On this album, the Saints shift gears yet again. A Little Madness to Be Free takes the band (which is actually just a vehicle for singer Chris Bailey at this point) in a denser more layered direction. This time, brass and strings dominate with lush acoustic guitars underneath. Obviously, any trace of the punk band that was, is gone. The power, however, remains. Like it's follow up, the devastating "All Fools day" this record explores the depths of irony, and the ironies of depth. Through exploration of the soul there is (musical at least) redemption. From the incredibly beautiful photo of a bay at sunset on the album cover, to the opening track, "Down the Drain," the tone is set. "Still I think it's better to stand out in the rain/ then go slipping on down the drain," Bailey sings. A melancholy rainy day vibe so damn gray it's vibrant.

You can't help but be transported by it. This is the kind of album that makes you think about stuff. Stuff you'd rather not think about, like, "what the hell have I done with my life." Somehow there is catharsis, so the end result is not an overall bummer. The somber and powerful, "Photograph" tells of a lost love, and the beautiful, "Angels" will leave you singing along ("we can't waste another day") to the point of wanting to play the track again.

The album concludes with one of Bailey's all time classic songs, "Ghostships," a track so amazing he went and put it on several more albums, re-recording it twice. While electric guitars are not the centerpiece of the sound here, the layers make for an equally powerful experience. Suprisngly, there are really no keyboards to speak of, which is very unusual for a non-guitar rock album. By this point in his career, Chris Bailey had come into his own as an arranger and it really shows. Certainly one of their most obscure discs, but ultimately as rewarding as the classics, "I'm Stranded", "Eternally Yours" and "All Fools Day". Allmusic